It’s officially Autumn and you know what that means? We’re officially on step closer to winter, the best season ever! Okay, okay we’ll admit. Even us winter lovers here at Vallerret get excited about the crisp autumn air and the phenomenal colour show we get to see as the leaves change from green to yellow to orange and red.
In addition to putting us closer to our beloved winter, autumn has a lot to offer when it comes to photography. Bold colours, high contrasts, warm white balances. Autumn is a great time to experiment and improve your skills. With a bit of planning, you’ll be well on your way to excellent autumn photos in no time! Here are our top tips for breathtaking autumn photography.
You might associate autumn with blue skies, colourful leaves and warm sun but often, the weather has its own ideas of what it wants to do. No matter how much you might want that blue sky, you might instead end up with an overcast day or even a spot of rain and mist.
Don’t worry! This weather can be perfect for your autumnal shoot. Misty, cloudy days help bring out the vibrancy and contrast of the leaves which can enhance your image by eliminating distracting colours. Don’t get discouraged if your colours seem a bit muted, you can always tweak and enhance in post-processing to get your desired mood.
Photo by Samuel Ferrara on Unsplash.
Autumn is the time to highlight nature’s beauty and part of that beauty lies within its ability to be perfectly symmetrical. Try focusing in on a single symmetrical leaf, using a narrow aperture to create visual depth of field. Or maybe you find a street lined with colourful trees that help create balance and symmetry while also directing your eye. Find a puddle to reflect a colourful scene. The bright colours paired with a symmetrical scene will create a compelling image.
Photo by Lance Asper on Unsplash.
With all the beauty autumn holds, it can often be easy to lose track of your composition. Don’t worry, we’ve all be guilty of this one at some point. When an entire scene is so beautiful, it can be easy to use your wide-angle to try and capture it all. While this can sometimes work, it often results in a confusing image. The viewer isn’t quite sure what to look at and the eye seems to drift all over the photo.
Instead of trying to capture it all, spend time looking for things that stick out. A single leaf in a puddle, one branch for a tree with multicoloured leaves, reflections in a puddle. Don’t forget your photography basics like the rule of thirds and leading lines. Anyone can point and shoot a camera but the really interesting images give you a unique perspective on a common scene.
Photo by Adam Bixby on Unsplash
Instead of trying to shoot a large colourful scene, try instead to compose a minimalist photo. A single leaf. A lone tree. Getting granular and focusing on one item will help eliminate any distractions from the photo keeping the focus simple and clear.
Photo by Nong Vang on Unsplash.
It’s no secret that golden hour is already one of the most popular times of the day to shoot but this is especially true in autumn. The warm tones are enhanced by the yellow and orange leaves and the soft light makes for some exceptionally beautiful images. Because the tones are likely to be so warm, you might find that your camera’s auto balance may try to neutralize the colours, resulting in a bland or blue tone. You can change your white balance to sunny or if you’re shooting in RAW (and you should be!) you can always tweak the white balance later. Just be careful not to overdo it. Too much warmth will look unnatural.
Photo by Ricardo Gomez Angel on Unsplash.
When the leaves fall and the trees are bare, you might think your window of opportunity for a compelling autumn photo has closed but don’t be too hasty. Late autumn provides just as many opportunities for beautiful shots. Bare trees can add drama to your photo and the collection of brown leaves on the group will help create an interesting contrast.
Bare trees can add a dramatic effect to your photo and the brown leaves will add an interesting contrast.
photo by Dulcey Lima on Unsplash.
When autumn arrives, the animal world starts to shift, as they prep and get organized for the colder months ahead. Autumn can be the perfect time to capture animals as they prepare for winter. Many birds will start migrating south, some mammals will start storing food for the winter, many mountain animals will start to move down in elevation as the temperatures drop. Autumn is a great time to not only capture the animals but also to capture their relationship with the seasons and their seasonal routines.
Photo by Esther Wilhelmsson on Unsplash.
Shutter speed: depends on how much natural light is in the scene. For handheld photography, the minimum shutter speed you want is 1/50 seconds.
f/1.4 or f/2
ISO 100 or low
Shutter speed: at least 1/125 depending on what you’re shooting. Animals like a flying bird will need a faster shutter speed for maximum sharpness compared to an idle fox.
f/1.4 or f/2
ISO 100 or low depending on the light
Shutter speed of at least 1/125
Autumn night photography:
f/1.4 or f/2
ISO for new moon conditions: 1600 to 6400
ISO for full moon conditions: 400 - 800
Shutter speed: 2 - 10 seconds
*Remember you’ll need a tripod for long exposures
f/8 - f/11
ISO: as needed depending on the light. Try to keep it low.
Shutter Speed: 1/15 or slower
*Remember you'll need a tripod for a slow shutter speed
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FIND YOUR SIZE:
|Hand Girth||cm||18 - 20||20 - 21||21 - 22||22 - 23||23 - 25||25-28|
|inch||7.1 - 7.9||7.9 - 8.3||8.3 - 8.7||8.7 - 9.1||9.1 - 9.8||9.8-11.0|
|Hand Length||cm||16.0 - 17.5||17.5 - 18.5||18.0 - 19.0||19.0 - 20.0||20.5 - 22.0||22-24.0|
|inch||6.3 - 6.9||6.9 - 7.2||7.1 - 7.5||7.5 - 7.9||8.1 - 8.7||8.7-9.4|
|EU Size Equivalent||EU 7.5||EU 8||EU 8.5||EU 9||EU 10||EU 11|
|Unisex Glove Models: Markhof Pro 2.0 | Skadi Zipper Mitt | Ipsoot | Alta Over-Mitt | Merino Liner Touch | Primaloft/Merino Liner | Urbex|
|Hand Girth||cm||16.0 - 17.5||17.5 - 18.8||18.5 - 20.0||20.0 - 21.5||-|
|inch||6.3 - 6.9||6.9 - 7.4||7.2 - 7.9||7.9 - 8.5||-|
|Hand Length||cm||15.5 - 16.5||16.3 - 17.2||17.0 - 18.5||19.0 - 20.0||-|
|inch||6.1 - 6.5||6.4 - 6.8||6.7 - 7.3||7.5 - 7.9||-|
|EU Size Equivalent||EU 6||EU 7||EU 8||EU 9||-|
|Female Glove Models: W's Nordic|
Please note, our gloves are designed to fit snuggly to give you the best camera feel without compromising on warmth. If you prefer a looser fit, please size up.
As we learn more and more about gloves we also learn that all hands are different. Some people have long skinny fingers and slim wrists, others have wide hands with short fingers.
Our gloves wont fit all even with the right measurements from the sizing chart – but we try!
For many, the best option will be to go up a size if your measurements are in between sizes.
If you are between sizes or if your hands do not fit into the measurements on our sizing chart, we recommend prioritizing the fit for the girth measurement. The girth is the most important measurement and if you the girth size on the glove is too small, you won't be able to fit the glove.
If you’re considering pairing a liner glove with your photography gloves, we recommend choosing the same size liner as photography glove. We designed our liners to be thin and fit inside of our photography gloves so we recommend your normal size in liners. There are two exceptions to this:
Exception #1: If you are at the very end of the ratio size in the sizing chart, e.g. 1 mm from being a size Large, then we advise going up a glove size if you plan to often wear the liner with the gloves.
Exception #2: If your personal preference is to wear fairly loose gloves, then you should also go up a size when adding a liner. We don't recommend this as you will compromise dexterity with loose gloves and our priority is best possible camera feel. But you know best what you like!
House tip: Make sure to chose a liner size that is snug/tight on your hand for the best Fliptech performance when wearing liners and gloves together.